A Poem a Day (669): Snapping lines – some hay(na)ku

 
These poems are inspired by a prompt from NaPoWriMo.net. They are not related and are meant to be read separately. 

Prompt from NaPoWriMo.net: a hay(na)ku consists of a three-line stanza, where the first line has one word, the second line has two words and the third line has three words. 
 
 
Time.
Snapping lines
in echo, doubled.

Whispers
sparked, this
never-truant Dark.

Exposed:
inked nightmares,
where erasers stick.

Lines
on repeat,
a rivered blackboard.
 

Youth.
Known. Vanquished.
No time machine.
 
Lace,
stained scarlet.
A wedding marked.
 

Unmasked,
the unsuited;
revenge of distain.
 

Flits,
deft footed,
starts, darts, skyward.
 

Cut,
scooped, stolen.
Jet black curls.
 

Lifted,
endless veil.
Vast pitch unhidden.
 

Rattle,
without hum.
Breath sneaks out.
 

This
one bed –
his whole world.
 

Milk.
Unspilled, capped.
A warning sign.
 

Bells,
and whistles.
Symphony on pause.
 

Journeying,
outward, in.
A wild belonging.
 

Succulent,
fleshed out,
fielding the core.

Wisps,
sacred light,
night’s ultimate shield.

 
Breadcrumbs,
squished rescuers,
directors of travel.

Exile.
Rust. Dust.
A life interred.

 
Copyright Vickie Johnstone, May 27, 2024

A Poem a Day (668): Cabin crew

 
Prompt from NaPoWriMo – Today, I’d like to challenge you to blend these concepts into your own work, by producing a poem that meditates, from a position of tranquillity, on an emotion you have felt powerfully. You might try including a dramatic, declarative statement, like Hass’s “All the new thinking is about loss,” or O’Hara’s “It is easy to be beautiful; it is difficult to appear so.” Or, like, Baudelaire, you might try addressing your feeling directly, as if it were a person you could talk to. There are as many approaches to this as there are poets, and poems.
 


Cabin crew

The cabin crew know it’s grown small,
full circle, sinking in shallow water,
these wood, stripped walls closing in,
bended, rounded, echoes of past sound,
they creak away this endless night.
Life on pause sleeps snug and waits.
 
Skewed, angst-stormed moon creeps up
to hang upon this shroud of cloud.
Fiery sparks of gold dance in formation,
cast kaleidoscopes of fate to scribble down,
simulate fairy lights in a Christmas town.
We only need the fae in filagree to sing.
 
Purest light will hold its sword sheathed,
suck up every strewn casted shadow.
We stand on the edge of endless mist,
our ancestors expectant in our stead.
In the distancing, a wounded bridge lifts,
trembles in its aged, rusted, iron skin.
 
Born from water, we can only adhere,
drawn as full as we are, our emotions
streaming from the Ace of Cups.
A glance back is all it takes sometimes.
In earth, we hibernate below the tumult,
bow down into our wordless dreaming.
 
Copyright Vickie Johnstone, May 19, 2024

A Poem a Day (667): Your calling

 
Prompt from NaPoWriMo.net: I’d like you to try your hand at a minimalist poem. What’s that? Well, a poem that is quite short and doesn’t really try to tell a story, but to quickly and simply capture an image or emotion. There’s even an extreme style of minimalism in the form of one-word and other “highly compressed” poems. You don’t have to go that far, but you might think of your own poem for the day as a form of gesture drawing. Perhaps you might start from a concrete noun with a lot of sensory connotations, like “Butter” or “Sandpaper,” or “Raindrop” and – quickly, lightly – go from there.

 

Your calling

Never written, only felt.

Copyright Vickie Johnstone, May 19, 2024

A Poem a Day (666): Coming home

 
Coming home
 
There is movement in the still,
this frozen solidity, a sense of purpose
in the way it swerves, bends, the twist of
an old, forgotten link. A lift across a wide,
barren ocean that time tried to ride out,
erase into a sepia memory on a picture card.
 
In this return, the separated seek to build,
to overcome, forgive and surmount the void,
yet removing one brick could sink it all.
A lost letter, the sealant of an unlived life,
the date-stamped bringer of re-invitation,
the only wish he could never purchase.
 
Among a draft of faces melting into one,
she waits expectantly for him to cross.
He stands still on the other side,
a broken man with a crooked gait.
Here, in the middle, a numbed sense
of dialogue seeks to open its hands.
 
Copyright Vickie Johnstone, May 12, 2024

A Poem a Day (665): Coasting

 
Coasting
 
It is enough. After the want, the hard graft,
journeying in a bid to rise, the peak of hope,
expectation, only to fall into fruitless coasting,
in secondary. Yet under a stone you may find
scope, breath, being, colour and a little faith.
 
We can walk the line without treading on it,
refresh from water without it passing our lips.
This is an imaginary earth. You sink your feet in
deep, tilt your etched heartlines to the open skies,
while the heady sun shape-shifts into quiet moon.
 
The only souls we can be are ourselves when all else
is done. Do not need. This is your space, carved out by
yourself alone. Here, we shoulder the trees, lest the
burden is too heavy for some. Clouds pass slow,
gather and eject, the sleek cirrus sounding out.
 
Copyright Vickie Johnstone, May 8, 2024

A Poem a Day (664): Lightning and the rock

 

I wrote this poem using a prompt from Napowrimo.net. 

 
March 31, 2021, prompt: we’d like to challenge you to spend a few minutes looking for a piece of art that interests you in the online galleries of New York’s Metropolitan Museum of Art. Perhaps a floral collar from the tomb of Tutankhamen? Or a Tibetan cavalryman’s suit of armor? Or a gold-and-porcelain flute? After you’ve selected your piece, study the photographs and the accompanying text. And then – write a poem!
www.napowrimo.net/2021/03/

 
Lightning and the rock 
(a sculpture by Nonggirrnga Marawili) 

Lightning and the rock,
razor edge. A trick on time,
itself eaten out in stages,
a flick of tongue, span of life.
Against the sea, we erode.
 
Spit-balls of energy served by sky,
a host of aspirations true glazed,
from which we built our skeleton house,
home to the self, scribbled bones,
a betrayal of kindness. These old panes
our defence against trespass.
 
Here it breathes, this dark glass,
our fractured souls, etched so worn,
the metal withstanding pain.
It is a search for the inside
from outside, the back to front,
tilted heart, aghast, so out of tune,
snug inside this blown bubble.
 
We are staggered by the load,
the lack of fuel, the dissociation.
This steel guard with its pieces
unaligned is our body, uneven scatters of
lines, rusted spine, a sudden sweep
of everything that is, stuffed
inside the whimsical.
 
Between these lightning strikes,
this cage or safety so double-edged,
we peek out, seek to steal out,
breathe the freedom of the blue.
 
Copyright Vickie Johnstone, May 3, 2024

The sculpture can be seen here: 
https://www.metmuseum.org/art/collection/search?q=CrdPackageIds%3A658

A Poem a Day (663): Too curious

 
NaPoWriMo April 2024 (www.napowrimo.net) is now over, so to carry on with these cool prompts that get your brain turning, I thought I'd look at the ones from the previous April and write using those. So here goes with Day 1. 

Prompt: take a look through Public Domain Review’s article on The Art of Book Covers. Some of the featured covers are beautiful. Some are distressing. Some are just plain weird (I’m looking at you, “Mr Sweet Potatoes”). With any luck, one or more of these will catch your fancy, and open your mind to some poetic insights.

Too curious
 
Too curious, he said, shouting us down,
too weird, too peculiar, too bold,
too stout, too tall, too small, too colourful.
 
In a word: just too…
 
Too obstinate, too opinionated, too arty,
too confident, too shy, too able, too young,
too old, too beautiful, too plain, too…
 
Too anything. And too here!
 
So we opened the door and left.

 
Vickie Johnstone, May 1, 2024