Monday, 28 April 2025

NaPoWriMo Day 28: Cruel summer

 
Day 28 of the NaPoWriMo challenge at www.napowrimo.net.
 
Prompt: Today, we challenge you to write a poem that involves music at a ceremony or event of some kind.


I decided to write a poem made of loads of titles of songs/albums. See if you can spot them.


 
Cruel summer
 
In the still of the night
he could get no satisfaction:
“What’s going on?”
“Dream on,” the girl replied,
as he gazed at the Waterloo sunset,
thinking how nothing else matters.
He needed a whole lotta love,
but he was living on a prayer.
Am I losing my religion, he wondered,
just like yesterday, or something.
“I wanna rock you like a hurricane,”
he somehow blurted out,
and she sped off down Abbey Road.
Ice, ice, baby! Imagine.
She was a rebel girl. No Maggie May.
He’d hoped on heaven being a place on earth,
but love just wasn’t in the air tonight.
Que sera, sera, he thought.
Layla just wasn’t gonna light his fire
tonight or any other night. She’d pick up
one of the boys of summer instead.
Epic. I will survive, he thought –
I’m a rocket man with great balls of fire –
so he took the midnight train to Georgia,
Gangnam style, just a smalltown boy
looking for his dancing queen.
 
Vickie Johnstone, April 28, 2025


NaPoWriMo Day 26: Night of the hunter

 
Day 26 of the NaPoWriMo challenge at www.napowrimo.net.
 
Prompt: Try your hand at a sonnet – or at least something sonnet-shaped. Think about the concept of the sonnet as a song, and let the format of a song inform your attempt. Be as strict or not strict as you want. 
14 lines/10 syllables per line/the Shakespearean sonnet is abab cdcd efef gg. 
 
 
Night of the hunter
 
It’s the loneliest time of the hunter,
this curse of night, an avenging clawed moon.
Bereft of sound, he moves on, a panther
crossing roofs, sunk alleys, life out of tune.
 
There is never a chase, only faint hope
for the North Star’s glow to show him the way.
He wastes no energy, shores up his scope,
outside time, place and the ordinary.
 
He searches land and sea for the one true,
who escaped, pursued, the muse to his art.
A bunch of chaste white roses, the thorns pruned,
he holds, but only shadow in his heart.
 
Her photo lived in his pocket for years,
but her image washed away in his tears.
 
Copyright Vickie Johnstone, April 28, 2025


NaPoWriMo Day 27: A new chapter

 
Day 27 of the NaPoWriMo challenge at www.napowrimo.net.
 
Prompt: Today we’d like to challenge you to write your own poem that describes a detail in a painting, and that begins, like Auden’s poem, with a grand, declarative statement.
 
I chose Turner’s 'Rain, Steam and Speed' painting (1844).




 







A new chapter
 
Rain, steam, speeds the passage
of time, unheeded, a heady sprint 
into the dust of evening’s song,
an emptying of the greyest clouds.
 
Feel the slight of waiting here
in the station, a huddled pile of clothes.
Suitcase bulging, ticket in pocket,
but he was never going to show.
 
Watch the destinations click down
as you count the years on one hand.
You read all the places out loud until only
one train is left. It won’t wait forever.
 
All steam spirals. It fills the spaces,
the in-betweens, the maybes, lost faces,
all traces of the times even you forgot,
seeks to smother all memory of them.
 
You could stay, but there is no reason,
so you join the departures at the gate.
For there is steam and there is speed,
and there is the rain to make haste in.
 
It washes the dirt from the windows,
your eyes and your skin. It strips clean
the days, the months you stood waiting
until you lost more than just time.
 
You spit on your finger, wipe your shoe,
smooth your skirt, unpin your hat,
open your coat and settle in. You’ve far
to go but already feel lighter.
 
Stone bridges are for crossing,
towns are for leaving. The river spreads
below you, hills rising either side.
Unkempt trees sway, throw blossom away.
 
Each season has a reason, keeps bed for the night.
You open your book to the first chapter,
read the title, see the whole page inked in,
unlike the one you’ve embarked upon.
 
Copyright Vickie Johnstone, April 28, 2025


NaPoWriMo Day 25: Echoes

 
Day 25 of the NaPoWriMo challenge at www.napowrimo.net.
 
Prompt: In her poem, senzo, Evie Shockley recounts the experience of being at a live concert, relating it the act of writing poetry. Today we’d like to challenge you to write a poem that recounts an experience of your own in hearing live music and tells how it moves you.
 
I went off-prompt for this one, remembering a holiday and standing among ancient rock formations. So, it’s all about sound, and the sound of the place, rather than a concert.


 
Echoes
 
Listen to the earth,
life’s time echo in the red,
deepset against a cyan sky.
Set feet deep, dig down,
synchronise so you’re in balance.
 
Listen to the earth’s drum,
a distinct roll, a heartbeat,
the raindance of the shaman
opening his hands to the cirrus clouds
feeling the weight of the wind.
 
Listen to the earth’s beat
in rhythm, like the eagle’s wings,
a sweeping eclipse of the soul.
In the still you can hear the echo,
the pump of blood through water.
 
Copyright Vickie Johnstone, April 25, 2025


NaPoWriMo Day 6: Cinnamon

 
Day 6 of the NaPoWriMo challenge at www.napowrimo.net.
 
Prompt: Today’s prompt veers slightly away from our ekphrastic theme. To get started, pick a number between one and 10. Now scroll down until you come to a chart. Find the row with your number. Then, write a poem describing the taste of the item in Column A, using the words that appear in that row in Column B and C. 
My words: cinnamon – wheeze – golden


Cinnamon
 
I light a candle in my vigil,
watch the flame wheeze in the air,
wax trickle into a pool
of silent memory.
 
Cinnamon snakes around me,
serves me a slice of apple pie,
sugar crystallising on warm pastry,
crimped edges tinged golden brown.
 
I can taste it on my tongue,
and suddenly my grandmother is here,
holding out her wooden spoon
as she used to do when we were baking,
 
when I would tiptoe at the table
covered in heaps of snow
to dip my finger in the mixing bowl,
stick it in my mouth with a grin.
 
Copyright Vickie Johnstone, April 24, 2025


Sunday, 27 April 2025

NaPoWriMo Day 7: Made by Matisse

 
Day 7 of the NaPoWriMo challenge at www.napowrimo.net.
 
Prompt: Today, we challenge you to write a kind of self-portrait poem in which you explain why you are not a particular piece of art (a symphony, a figurine, a ballet, a sonnet), and use at least one outlandish comparison and a strange (and maybe not actually real) fact.


 
Made by Matisse
 
I have not the grace of the ballet,
pirouetting among sleek swans
posed in my lace pink tutu,
adorned with a trail of glittering stars.
I do not yearn for the spotlight,
the crowd, the roar, the applause.
 
When the curtain rises, I am not there.
I am backstage in the shadows,
treasuring my anonymity as I roam
soundless and unnoticed, ordinary,
watching each production in private,
my own personal reflection.
 
Each dancer has their own humble story,
away from the lights, flowers and applause.
Perched on the edge of a tin bath,
leg up on the bar catching a conversation
or sat down on a rug washing their feet,
it is only a scene that Degas can tell.
 
I am more like The Snail,
the shifting shapes of primary colour,
ever in motion and twist
across an expanse of empty white space,
always pursuing this something other
ever so slightly out of reach.
 
Copyright Vickie Johnstone, April 24, 2025


NaPoWriMo Day 17: Eyes without & other poems

 
Day 17 of the NaPoWriMo challenge at www.napowrimo.net.
 
Prompt:  The surrealist painters Remedios Varo and Leonora Carrington moved to Mexico during the height of World War II, where they began a life-long friendship. Today, we’d like to challenge you to write a poem themed around friendship, with imagery or other ideas taken from a painting by Carrington, and a painting by Varo.
 
 












Eyes without

Eyes out of glasses,
abstraction without guise,
a near-sighted flirtation
bereft of Confucius says.
 
Imagination surprises, implies
a conversation takes place,
this meeting without minds.
 
Glasses flutter their eyelashes,
masked in mascara, witnessing
cosmetic lies in transfiguration.
 
Old blue eyes never knew
what he leant his signature to
until they sat on a tabletop
suspended in thin air,
eager to take flight.
 
 















Scarlet

She unwinds a ball of blue wool,
protector of sea and sky
in search of the waiting shore.
 
It sneaks inside his ribcage,
piercing all his guarded walls,
knocks until his world opens wide,
a corridor into the dark,
his twisted labyrinth.
 
From its depths flies one red falcon,
trailed by a single white dove,
passion and peace out of balance.
 
He is but shadow,
a disembodied ghost of memory,
her melancholy, her wanderings,
her protector in the darkness.
 
Like a shawl, her red hair trembling
touches the seat of the chair,
anchors her in this world.
 


 















The wheel

Bringer of night’s curses,
fireworks implode into pitch
around his skeletal endeavours,
splatter the blood of his foes,
stuff of nightmares, grating,
all engines of power paralysed.
 
He carries hate as his holy shield,
seeks to neuter the gods,
protects no one, tells no tales.
 
Traversing the nine levels of hell,
he pursues light in darkness
to quell and destroy,
the great wheel of bones turning
where no tide will ever flow.
 
Copyright Vickie Johnstone, April 2025


NaPoWriMo Day 4: Depth

 
Day 4 of the NaPoWriMo challenge at www.napowrimo.net.
 
Prompt: In her poem, Living with a Painting, Denise Levertov describes just that. And that’s a pretty universal experience, isn’t it? It’s the rare human structure – be it a bedroom, kitchen, dentist’s office, or classroom – that doesn’t have art on its walls, even if it’s only the photos on a calendar. Today, we’d like to challenge you to write your own poem about living with a piece of art.
 
 
Depth
 
Inside & without,
exert & exhale,
alert in the delivery,
living the heat, the expel,
of light, emotive, vision,
mixed in a fistful of paint.
 
You step in,
walk on water, flow,
wade into depths of you
& spill your insides out,
sweep your arms in pigment,
become the palette knife
that drips your blood on canvas.
 
Copyright Vickie Johnstone, April 24, 2025
 
 


NaPoWriMo Day 3: Meld

 
Day 3 of the NaPoWriMo challenge at www.napowrimo.net.
 
Prompt: We challenge you to write a poem that obliquely explains why you are a poet and not some other kind of artist – or, if you think of yourself as more of a musician or painter (or school bus driver or scuba diver or expert on medieval Maltese banking) – explain why you are that and not something else!
 


Meld

I am sculptor,
a welder of parts
that do not fit,
until they do.
 
Disparate dead things,
alive in the imagining,
lock metal, refashion,
erase the truth of things.
 
Solids evolve hollow,
cling to their opposites.
Stone breathes curves
beneath his hands.
 
Copyright Vickie Johnstone, April 24, 2025


NaPoWriMo Day 2: Mr Mouse

 
Day 2 of the NaPoWriMo challenge at www.napowrimo.net.
 
Prompt: Anne Carson is a Canadian poet and essayist known for her contemporary translations of Sappho and other ancient Greek writers. Consider this version of Sappho’s Fragment 58, to which Carson has added a modern song-title, enhancing the strange time-defying quality of the translation. The poem directly addresses the Muses. We challenge you to write a poem that directly addresses someone, and that includes a made-up word, an odd/unusual simile, a statement of fact and something that seems out of place in time.


 
Mr Mouse
 
It is not his house,
but he acts as if he owns it.
He’s stamped his prints on it,
this cheeky teensy dormouse.
 
His nibbles speckle the kitchen lino,
pyramids of crumbs nest in the corners.
Follow these trails to the inner wall,
the hole that gives clue to his bedroom.
 
We never actually spy him.
He only creeps out while we’re dozing,
so we look out for his daily efforts,
his little eccentricities and squidgy presents.
 
He is the pet we never asked for,
but he fits in snug with our cosy clan,
never asks for anything, isn’t noisy,
keeps to himself and lets us run the show.
 
It is not his house,
but for some reason he has chosen us,
this invisible imp of the wild,
who sneaks around, so shy of nose.
 
One day we will set up a mouse-cam
to investigate what he does each day,
but for now we’ll indulge his privacy
and maintain our love of mystery.
 
Copyright Vickie Johnstone, April 24, 2025


NaPoWriMo Day 1: The school show

 
Day 1 of the NaPoWriMo challenge at www.napowrimo.net.
 
Prompt: We challenge you to take inspiration from this glossary of musical terms or this glossary of art terminology and write a poem that uses a new-to-you word.


 
The school show
 
We will start with adagio,
step up a little to adagietto,
before andante blends into moderato,
ambitious to lift to the next level,
but before it we will falter and revel,
a little reckless, a little tart,
a little eager to be the upstart
who begins the ride but will not finish,
who yearns to sing yet will only diminish
this song in front of our audience of teachers,
peers and parents – all our careful owners,
because they all want something from us,
so expectant, so eager to receive without fuss.
The reckless soul within us dares us to withdraw,
to leave the open stage to silence as before,
and a big, bold question mark.
Everyone will wonder how to fill the dark,
the wide open space we’ve deserted for a lark.
Maybe one of our parents will walk up for fun,
grab the mike and show us how it should be done.
 
Copyright Vickie Johnstone, April 25, 2025


Wednesday, 23 April 2025

NaPoWriMo Day 21: Say cheese

 
Day 21 of the NaPoWriMo challenge at www.napowrimo.net.
 
Prompt: Sawako Nakayasu’s poem Improvisational Score is a rather surreal prose poem describing an imaginary musical piece that proceeds in a very unmusical way. Today, try your hand at writing your own poem in which something that normally unfolds in a set and well understood way — like a baseball game or dance recital – goes haywire, but is described as if it is all very normal.
 
 
Say cheese
 
Take a piece of cheese and balance it on your nose.

See how that goes. If you’re hungry, try to lick it with the end of your tongue. Jiggle it. Just a little bit.

Invite passersby to watch, take out their mobile phones and photograph you for retrieval on Instagram. To caption. To label. To honour. To push to every corner of the hungry globe.

Make a wish to the cirrus clouds surfing the big blue. Hop on the nearest unicorn (ask permission first) and take a one-way ticket to the Milky Way. Do not nibble it on arrival. It might spoil your appetite.

Believe in yourself. If you can’t do that, believe in the person standing next to you. Or your cat. On second thoughts, believe in your cat. He will know the way forward. He is zen. He outclasses us all.

Dream upon the figure eight. Learn to skate. Unearth the deepest recesses of your mind and then realise you’re far too late to dig out those old memories because they got clouded by too many glasses of Pinot Noir.

Sleep. Wake up. Sleep. Make up. Sleep. Touch up. Sleep. Take up a new hobby. Revisit an old one. You’re never to old to reinvent. Unless you think you’re old. Then it’s a whole new avoidance sport.

Think of your favourite pet from childhood. Revel in the thought that you might meet him or her in the Milky Way on your unicorn. You have far to travel, but you’re almost there. Just one more Curly Wirly.
 
Copyright Vickie Johnstone, April 23, 2025


NaPoWriMo Day 20: Broken music

 
Day 20 of the NaPoWriMo challenge at www.napowrimo.net.
 
Prompt: Below, you’ll find Theodore Roethke’s poem, In Evening Air. The rhythm is odd, the rhymes are too, and the language is strangely prophetic and not at all “conversational.” Your challenge is, with this poem in mind, to write a poem informed by musical phrasing or melody, that employs some form of soundplay (rhyme, meter, assonance, alliteration).


 
Broken music
 
1
 
We walk among the skinny sacred trees
within a kind of broken music.
This life exists outside of time,
caught in the hum, the gaps between lines,
our own limitations endless –
the potential of things greater.
 
2
 
Something tells me that you’re listening.
It’s a crackle in the air sometimes,
a twig caught in fire,
scarlet embers betwixt times,
when the Wheel begins to yearn to turn,
its axis never spinning out of echo.
 
3
 
We walk barefoot, others skinny dip,
set the woods in motion with our script,
endless. It’s all a dream conjured,
a dizzy ride of travelling planets
shielding the moon gathering her boa of starlight,
unkempt, naked.
 
4
 
And so we are one sometimes.
If we want to be. If time prevails to be so.
We set the world’s tightrope in spin,
cancel all our obligations to dream.
See our plight. Feel the hour of our being.
Be at peace in your waking.
 
Copyright Vickie Johnstone, April 23, 2025
 
I took the phrase ‘broken music’ from In Evening Air


NaPoWriMo Day 19: The Zodiac

 
Day 19 of the NaPoWriMo challenge at www.napowrimo.net.
 
Prompt: Write your own poem that tells a story in the style of a blues song or ballad. One way into this prompt may be to use it to retell a family tragedy or story, or to retell a crime or tragic event that occurred in your hometown. (AABC form)


 
The Zodiac
 
In the zodiac twelve signs are seen,
but he is etched number thirteen,
the most deadly, invisible,
hunted but never identified.
 
Probably thinks he’s invincible,
living without moral principle.
Napa County didn’t see him coming,
tried to steal five souls in just one year.
 
He sent threats to the newspapers,
teased them, included complex cyphers
to show how intelligent he is,
how the wise could not outwise him.
 
He claimed 37 victims in 1974,
though the police disputed this number,
as if he wanted it to be more,
wanted to have the highest kill.
 
They tried to catch him on the hop,
but suddenly it all came to a stop.
So, what became of the Zodiac?
Could he still be out there?
 
Who, in the end, was he?
Did he know you? Did he know me?
Maybe you crossed him in the street,
maybe you sat down with him to eat.
 
Copyright Vickie Johnstone, April 23, 2025


NaPoWriMo Day 18: Scotch mist

 
Day 18 of the NaPoWriMo challenge at www.napowrimo.net.
 
Prompt: Like our villanelle prompt from a week ago, this prompt plays around with song lyrics, but in a very specific context – singing while riding in a car. Take a look at Ellen Bass’s poem, “You’re the Top.” Now, craft your own poem that recounts an experience of driving/riding and singing, incorporating a song lyric.

Lyric from Tracy Chapman’s Fast Car – ‘I wanted a ticket to anywhere’.


 
Scotch mist
 
I wanted a ticket to anywhere
& anywhere was where you wanted to go.
You had a plan to strike out hard,
drive from the Dover cliffs to Germany
& back, but the autobahn got flooded,
the centre of Europe a bowl of water.
They say it’s all in the timing,
so we were already out of time.
But I wanted a ticket to anywhere
& you asked me to go for a ride.
 
You’d never been to the Scottish Isles,
land of kilts, Nessie & whiskey clouds,
drew a red ring around it on a map,
tricked me that we were staying in B&Bs
only for me to find a tent on the backseat.
Map reading became my thing,
an art I never thought was my forte,
& we never got lost. Not once.
I wanted a ticket to anywhere
& I guess you just needed a guide.
 
I’d only known you a few weeks,
but you had a face I could trust.
You drove like a rally driver,
as crazy energetic as your shagging,
played the same CD for an entire week.
I’ve never been able to play it since
cos life on repeat seldom rings true.
It doesn’t survive the humdrum.
But I wanted a ticket to anywhere
& you gave me a ticket to ride.
 
I was Laurence of Arabia bereft of desert,
snug in our tent, kind of romantic.
We had mountains that soared purple & blue,
kept awake by a million bleating sheep.
I never knew they had so many different voices.
You bullied me to the top of Ben Nevis,
unable to walk behind me for long,
freaked out by my “jelly-leg” walk.
I wanted a ticket to anywhere,
didn’t know it would be 1345 miles up.
 
We took the safe route up. I insisted,
while grown men arse-slid down the silt.
You’d rather launch yourself off the edge
into the invisible endless nothing,
but I reined in your adventurous streak.
At the top I was rewarded with mist,
nothing to see in any direction.
A stranger gave us Cadbury chocolate.
I wanted a ticket to anywhere,
but I was far too tame for you.
 
It wasn’t our journey that mattered in the end,
the verdant forests, bubbling waterfalls,
steep chasms, striking heights & traffic jams,
but the people it brought who stayed far longer.
They lasted, while our fire blew out fast.
So that was the reason I met you,
besides earning my camping badge.
We were out of time from start to finish,
but I wanted a ticket to anywhere
& it brought me something money can’t buy.
 
Copyright Vickie Johnstone, April 23, 2025


NaPoWriMo Day 23: The bird

 
Day 23 of the NaPoWriMo challenge at www.napowrimo.net.
 
Prompt: Humans might be the only species to compose music, but we’re quite famously not the only ones to make it. Birdsong is all around us – even in cities, there are sparrows chirping, starlings making a racket. And it’s hardly surprising that birdsong has inspired poets. Today, we’d like to challenge you to write your own poem that focuses on birdsong.


 
The bird
 
He thought he couldn’t live without her,
after she left, without a murmur.
It was three o’clock in the afternoon,
the sun was high, and he somehow knew
she was gone before he looked about,
before he found her scribbled note.
She accused him of being ‘bloody boring’,
not caring, not noticing, just not being.
 
And that was that, his Ruth was gone,
but outside that putrid sun still shone.
A soft breeze blew through the open window
and down the sidewalk he heard the people go,
gliding, their endless chatter a rising stream.
The day suddenly seemed an empty dream.
 
It was a necessary clearance, he decided later,
when weeks had passed and he called the realter,
but reconsidered it – this was still his home.
It wasn’t like him to just sit still and moan,
but he could not endure this silence unheard,
so he went out and bought a brand-new bird,
an emerald budgie, the first pet he’d ever owned,
and to him his heart this little bird loaned.
 
He made sure to keep the cage door wide,
so Fred could fly free, and roam and hide,
taking the apartment in strong, swift laps,
landing on the heads of any visiting chaps,
so he could ruffle their greying hair and sway
back and forth in his own endearing way.
 
Fred was far less bother than a wife.
He never nagged, contradicted or caused strife.
Fred never said he was wearing the wrong tie,
saying a stupid word or just being the wrong guy.
A budgerigar won’t ever embroider the truth,
not like the porkies drawn up by Ruth.
She lied many a time about the delivery driver,
giving him a much bigger tip than the usual fiver.
 
“Don’t forget to wipe your feet,” Ruth would shout.
“Don’t forget to breathe,” he’d whisper about.
 
If he was in a happy mood, Fred knew.
He’d wing it. Round and around he flew.
If he was feeling that life got colder,
Fred would perch upon his shoulder.
If he was feeling a bit waylaid,
Fred would nod at everything he said.
 
Unlike his wife who had too much to say,
moaned at everything and called it a day,
Fred would never screech, demand to be fed.
Even when the bird pooed on his bed,
he knew it was nothing personal.
If his wife saw that, he’d take the fall,
because she blamed him for everything.
Now, any criticism was just water off his wing.
 
Copyright Vickie Johnstone, April 23, 2025


Tuesday, 22 April 2025

NaPoWriMo Day 22: Hear the dragon roar

 
Day 22 of the NaPoWriMo challenge at www.napowrimo.net.
 
Prompt: In her poem, Thanking My Mother for Piano Lessons, Diane Wakoski is far more grateful than I ever managed to be, describing the act of playing as a “relief” from loneliness and worry, and as enlarging her life with something beautiful. Today, we’d like to challenge you to write a poem about something you’ve done – whether it’s music lessons, or playing soccer, crocheting, or fishing, or learning how to change a tyre – that gave you a similar kind of satisfaction, and perhaps still does.



Hear the dragon roar
 
It was a balancing act,
human versus bicycle,
this steel dragon once so reliant,
always doing my bidding,
now a scarefest on two wheels,
stabilisers deftly removed by my father.
 
It stood still, silent, kind of judging,
suspecting it wouldn’t be upright much longer.
I think my dad knew too.
But he just watched. He didn’t judge.
I took a deep breath.
Dad held it steady. I needed that.
 
I remember the wobble, the veer, the jiggle,
the tremble, the twist, the inevitable splat!
You spent quite a lot of time on concrete
when learning how to tame a bike,
unstabilised, untethered,
a wild horse exerting its will.
 
It was one of those passages into adulthood,
the bye-bye, sayonara, to those extra wheels
that said you were still a child.
I wasn’t claiming to be grown up.
I knew I’d never be a contender for the Tour de France.
I’d spend a lifetime sucking mud.
 
But it was sweet when that metal machine stayed up.
Jaws silent. In motion. Reliant.
Steady as she goes.
We’d speed down the steepest, highest hill,
kinda dizzy with the thrill of it,
free as the wind.
 
Copyright Vickie Johnstone, April 22, 2025


Monday, 21 April 2025

Opal & Amethyst - Shamanic Mediumship readings

Hi,

I've launched a new website for my other hobby, which is for my Shamanic Mediumship readings. I've been advertising my reading service since March 2023.

I try to offer empathic guidance through my readings, looking at the positive side and the possibilities in your life, and I will pass on any messages that come through. 

I started reading Tarot when I was a teenager, so I can incorporate this. Back then I went to the library, took out a book on Tarot and made my own Major Arcana, drawn on cardboard, which I cut out. Things have come along way since then! There is a wealth of beautifully illustrated decks out there. If you are looking for one, I'd recommend going into a shop and touching them all, and choosing the one that you're drawn to, which feels right in your hands. 

I began training in psychic mediumship in February 2021 and I am still studying it. I think there is always going to be something new to learn and improve on. Life is a journey and you can never know everything. It is a process of ongoing discovery.

My outlook is shamanic; that everything has a spirit - whether human, animal, tree or rock - and they are all connected. 

Some people say there is no such thing as coincidence and we should look out for the synchronicity in our lives. Look out for numbers that repeat, those old deja vus and patterns. You never know what might be around the corner if you're looking the right way.

Love & light x

Thursday, 17 April 2025

NaPoWriMo Day 16: Silver birches

 
Day 16 of the NaPoWriMo challenge at www.napowrimo.net.
 
Prompt: Today, try writing a poem that imposes a particular song on a place. Describe the interaction between the place and the music using references to a plant and, if possible, incorporate a quotation – bonus points for using a piece of everyday, overheard language.
 
 
Silver birches
 
It’s so steely silent you’d think it frozen
in a game of Musical Statues, giggles muted,
joined by its spindly fellow men, stood stiffly tall.
Its arms stretch up tweaking fingers, creaking light
intermittently in the gathering wind that’s building,
leaves shaken, a head of hair gradually awakened.
 
Behind, the mud-coloured brick walls tower
towards the cloudless sky, home to the liquid chirp
of swallows pecking at the speckled clay,
the solo chimney no longer pushing up black spirals
of gritty smoke, panels of glass reflecting the sun.
 
We pass through this sweeping line of zebra trunks,
trace our fingertips along the loosening rough bark,
stretch back our necks to pursue their reach,
their splendour. At night, tiny lights link a shine
between them, add a twinkle to their dazzle,
create a faery path to twist and curve down.
The gravel crunches beneath our eager feet.
 
A theatre of art breathes inside the great doors
of the Bankside power station. The turbine hall
pulls us in like the bowels of a great whale,
the old boiler room no longer pumping loudly
but housing quiet galleries of paintings and sculptures.
 
From 1891, the station supplied the city’s electricity,
cracking and blinking, and waking the arc lamp
streetlights along Queen Victoria Street in the smog
that curled and crept around every sleeping house.
It kept all the metal presses printing along Fleet Street,
where the workers rose at the crack of dawn to shout
the exuberant headlines of the morning papers.
 
Copyright Vickie Johnstone, April 17, 2025


Tuesday, 15 April 2025

NaPoWriMo Day 15: The Joy of Six

 
Day 15 of the NaPoWriMo challenge at www.napowrimo.net.
 
Prompt: While Brother JC’s warm-up and Kenyon’s poem might seem very different at first, they’re both informed by repetition, simple language and they express enthusiasm. They have a sermon/prayer-like quality and then end with a bang. Your challenge is to write a six-line poem with these same qualities.


The Joy of Six
 
Weight gain, bloating, fatigue,
irritated eyes, vision changes, nauseous.
I’m dizzy, almost fainting, spacing out,
but my ears are buzzing like little bees.
I’m not on drugs & can’t be pregnant.
Haven’t had sex in years.
 
Copyright Vickie Johnstone, April 15, 2025


This one is about a woman in her 60s going through the menopause.


Monday, 14 April 2025

NaPoWriMo Day 14: Catch a falling star

 
Day 14 of the NaPoWriMo challenge at www.napowrimo.net.
 
Prompt:
Today’s prompt is inspired by a poem that’s an old favourite of mine, by Kay Ryan. Ryan’s poem invites us to imagine the music of a place without people in it. So, try writing a poem that describes a place, particularly in terms of the animals, plants or other natural phenomena there. Sink into the sound of your location and use a conversational tone. Incorporate slant rhymes (near or off-rhymes, like angle and flamenco) into your poem. And, for an extra challenge, don’t reference birds or birdsong!


Catch a falling star
 
At midnight, fruit bats twirl through unshuttered windows
to dance the space between, their sole audience the upstanding crockery,
a splash of orange on white tiled walls.
 
Starlight is their guide. Canis Major, the Great Dog, chases his tail,
beside Sirius, the brightest of them all, while Pavo struts his peacock feathers.
They lead a mirrored dance across the heavens.
 
This humid air hangs heavy with the passion of wildflowers
dipped in the last rainfall. Petals shake. Glitter through.
Their pollen-strewn heads turn to the travelling crew.
 
The kitchen door yawns open to expose the garden,
invites the bats to take a meandering path through tall grass,
bowing in the heady breeze blowing
 
into a dash of rainforest. They narrowly miss a golden orb spider
embroidering a trap in the gap between branches
as something sleek and furry dashes up.
 
Succulent jade ferns unfurl towards the beach edge,
where sand dunes rock as the merciless sea explodes,
hurling spiky starfish and polished shells inland.
 
Against the jet sky, stark white surf bubbles like pearls,
haunting the edges of the world.

 
Copyright Vickie Johnstone, April 14, 2025


Sunday, 13 April 2025

NaPoWriMo Day 13: Stairway between two flats

 
Day 13 of the NaPoWriMo challenge at www.napowrimo.net.
 
Prompt:
Finally, here’s our prompt for the day (optional, as always). Donald Justice’s poem, There is a gold light in certain old paintings, plays with both art and music, and uses an interesting and (as far as I know) self-invented form. His six-line stanzas use lines of 12 syllables, and while they don’t use rhyme, they repeat end words. Specifically, the second and fourth line of each stanza repeat an end word or syllable; the fifth and sixth lines also repeat their end-word or syllable. Today, we challenge you to write a poem that uses Justice’s invented form.


 
Stairway between two flats
 
The staircase twists steep out on the diagonal,
a casing for limbs, aghast lines, they cannot yield.
Carved triangular forms, shadows play in them all,
never done, never final. Motion cannot yield.
        The devil has no care here, chases lions ever still.
        In the end it’s just two silhouettes standing still.
 
A man breathes mist on a windowpane, blows a kiss
into the morning sun’s glare, wishing for a dove,
peacemaker in this time of marital non-bliss.
His wife has left, three hours ahead of this dove.
        He examines the emptiness of her footprints,
        asks whether this argument will outlast these prints.
 
Silence slides into glimpses of skin turned to stone,
muscles yielding, bones shielding, patterns in echo.
We slide like waters, parting, only to return
to our bedmate, fellow artiste in night’s echo.
        We mould each other, face the undeniable glitch
        in ourselves that tells us weve truly arrived, full-glitch.

 
 
Copyright Vickie Johnstone, April 13, 2025
 


NaPoWriMo Day 12: Two contracts

Day 12 of the NaPoWriMo challenge at www.napowrimo.net.

I’m writing this on April 13 cos yesterday I was too tired to feel inspired! I wrote a first draft that didn’t work and it was small, so here goes the extended version.

Prompt: 
Today, we’d like to challenge you to write a poem inspired by Wallace Stevens’ poem, Peter Quince at the Clavier. It’s a complex poem that not only heavily features the idea of music, but is structured like a symphony. Its four sections, like symphonic movements, play with and expand on an overall theme. Try writing a poem that makes reference to one or more myths, legends, or other well-known stories, that features wordplay (including rhyme), mixes formal and informal language, and contains multiple sections that play with a theme. Try also to incorporate at least one abstract concept – for example, desire or sorrow or pride or whimsy.

 
Two contracts
 
I

She was salt,
because he looked back.
It was his fault.
 
We know the tale that’s told.
We know the ending.
But do we know why he failed?
 
It was not because he loved her
too much, or he was too eager,
but because fear got the better.
 
He was told to wait,
but he could not,
so he chose her fate.
 
She became salt.
 
No longer a woman,
or even an object,
but mineral; white grit
slipping through his hands.
 
Something that dissolved into his flesh,
becoming him.

 
II

It was not always so.
 
Our story begins in the twisting forest,
below giant trees astride a sparkling stream,
where Orpheus would sit and play his lyre,
a gift from Apollo, who taught him to play.
 
Needless to say, no one could resist his melodies.
Even the sparrows flocked to his side to listen.
So it was that a wood nymph, the most beautiful
and kind, fell in love with him and he with her.
 
And they were happy, for a time,
for you know this is not a happy story.
 
Walking in the tall grass on her wedding day,
Eurydice was chased by a lusty satyr, who wanted her
for himself. In her haste to escape, she tripped,
was bitten by a snake and died.
 
Orpheus found her. Instead of joining her,
he played sad songs that made the gods cry.
Time passed and his grief would not lessen,
so he made the dark descent into Hades.
 
There, he would beg for his wife’s return.

 
III

Protected by the gods, Orpheus relied on his charm
to find his way through this grim, cold world,
and his seductive lyre even kept him from harm
from Cerberus, the three-headed guard dog.
 
Hades, god of the Underworld and keeper of dead souls,
was a stubborn, stern and selfish man, having abducted
Persephone from the Upper World to force his vows
on one summer’s day while she was gathering flowers.
 
Demeter, the goddess of the Earth and harvest,
cursed the world til it fell barren in her heartbreak
over her daughter, forcing Zeus to made haste
and seek a compromise with the unrepentant Hades.
 
So, when it was autumn and winter, it was here in the dark
that was Persephone’s home, away from her family.
In spring and summer, she’d return to the sun,
connecting the worlds of the dead and the living.

 
IV

Somehow, Hades found himself moved by Orpheus’s plight.
 
“You can take your wife, Eurydice, back with you
to the Upper World,” he told Orpheus,
but there is one condition…
 
Orpheus could not believe his luck.
It was such a simple request,
such an easy test.
 
But as he mounted the stone steps up,
he could not hear Eurydice’s footsteps.
And that is when fear played a trick on him…
 
He turned.

 
Copyright Vickie Johnstone, April 12, 2025