Day
9 of the NaPoWriMo challenge at www.napowrimo.net.
Like
music, poetry offers us a way to play with and experience sound. This can be
through meter, rhyme, varying line lengths, assonance, alliteration, and other
techniques that call attention not just to the meaning of words, but the way
they echo and resonate against each other. For a look at some of these sound
devices in action, read Robert Hillyer’s poem, Fog. It uses rhyme and uneven line
lengths to create a slow, off-kilter rhythm that heightens the poem’s overall
ominousness. Today
we’d like to challenge you to try writing a poem that uses rhyme, but without
adhering to specific line lengths. For extra credit, reference a very specific
sound, like the buoy in Hillyer’s poem.
sunshine
yellow, burnt-out orange, in flame,
cascade
and roll to sail serene,
then
flip and dive, so hard to tame,
shuffled
in the hands of the wind.
All-seeing,
it will not try to blind or bind
their
spirited adventure,
or
the savage times they must endure.
Racing
to beat me to the treeline,
they
shake all that’s mine.
summoned
by the playful fae,
and
here I am what no one sees
beyond
the greenness of my youth,
seeking
the world’s own truth.
Hold
nothing at bay
in
this desire to grow wiser.
Time
is the miser.
and
trust it to carry me,
my
true self so weightless, suspended,
to
places I cannot yet see.
We’ll
scale mountains, marvel, levitate,
surf
seawaters, circumnavigate,
but
we’ll never make that curtain call,
just
keep on, keep on evolving,
iridescent
in our ever-changing colouring,
never
being anything less than this.
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