Tuesday, 14 July 2026

A Poem a Day (749): You on repeat

 
You on repeat
 
You were supposed to turn up on time.
You were meant to end each line with a rhyme.
 
You were fated to turn tomorrow upside down.
You were meant to greet each day without a frown.
 
You shifted the energy when you walked in a room.
You swept up the dark with the back of a broom.
 
You were the one to joke and wear glitter.
You were the one who trained to get fitter.
 
You were the one the other kids looked up to.
You were the only one the older kids knew.
 
You were always telling the tallest stories.
You were the answer to everyone’s worries.
 
You got older, drove too fast, lived a little too wild.
You never wore a sword, never needed a shield.
 
You forgot the names of your fans you met.
You met me, but my face was one you’d forget.
 
You were the artist, the writer, the talker.
You were the beginning, the end, the Faulkner.
 
You acted in this lifetime like you were out of tune.
You’d already lived nine lives before the strike of noon.
 
You enjoyed it all too much to protect your own hide.
You forgot to click your belt for that daring last ride.
 
You held the globe in your hand for an endless time.
You didn’t know the world would make you pay a fine.
 
You held up a mirror for others to discern their flaw.
You noticed not everyone liked what they saw.
 
You were meant to leave quietly, unnoticed.
You weren’t meant to leave a note that grimaced.
 
You were the one everyone wanted to be.
You weren’t meant to be the one that couldn’t see.
 
You lost your way trying to find how everything gels.
You forgot you can’t save yourself and everyone else.
 
Vickie Johnstone, July 14, 2026


A Poem a Day (748): I on repeat

 
I on repeat
 
I spend a lifetime searching for the imperfect perfect muse.
I treasure everything as if each something I’m fated to lose.
 
I consume as if this could be my final meal.
I am oblivious to the agenda behind any deal.
 
I sleep as if sleeping is an Olympic sport.
I pay all the bills, secure my space in my living fort.
 
I read with a microscope digging for inspiration.
I walk in fine rain feeling a washed-in elation.
 
I turn up early as if it will make a difference.
I cry at every ending and then hope to bounce.
 
I read menus a dozen times before choosing.
I hold on too long because I’m too scared of losing.
 
I worry I might regret choosing the wrong thing.
I greet everyone with the same shy, lopsided grin.
 
I end up picking the same thing every time I order.
I live in uncluttered spaces, try not to be a hoarder.
 
I pluck stray hairs as if anyone notices anything so small.
I live it, love it, want it to last forever, but forget it all.
 
I collect empty boxes because oxygen is the most precious thing.
I buy simple things, avoiding the loud, too glossy and bling.
 
I breathe deeply, inhale slowly, blink three times for luck.
I wish I could relive every earthmoving, heartbreaking f-ck.
 
I sit in the shade in case the sun burns away truth.
I rethink, re-evaluate seeking the undeniable proof.
 
I colour outside the edges to feel more free.
I wonder at our struggle to be what we want to be.
 
I count the stars just because it’s impossible.
I know my failure to make time last is laughable.
 
I rule the 3mm space around my own contours.
I learn from closure and look out for held-open doors.
 
I bed down to keep the chaos and noise at bay.
I listen to silence because it has the most to say.
 
Copyright Vickie Johnstone, July 14, 2026


Thursday, 9 July 2026

Read Tirips Shade, my supernatural detective novel, for free here

My Victorian detective novel with a supernatural and steampunk edge, Tirips Shade, is free to read here - https://drive.google.com/file/d/1mxugIivOPyKdjq4rp4ejeKhzuReWVLpt/view?usp=drive_link


Victorian London’s finest detective, Tirips Shade, 33, hunts a serial killer while investigating his own murder, assisted by his closest friend, Harold Walker.

Whether alive or in spirit, Victorian London is a thrilling but dangerous place for everyone.

With a serial killer on the loose, Sarah Ann Bartley, who runs a safehouse for former prostitutes and fights for women’s rights, asks Tirips to help stop the man before more women are murdered.

Tomas Malachide, the owner of the steam-powered Museum of Machinations, finds himself the toast of the city, but the real passion of his life is his fiancé, Elsa, a flower seller.

In the spirit world, a young boy finds himself alone on the city streets, but he just might find a friend in a streetwise girl. Cynical Willie Lynch is given the job of guide for the newly dead, while an older guide, Angelina, has her own sad secrets.

Who is the mysterious Abraham Askew whom nearly every spirit seems to fear and what other perils loiter in Victorian London’s graveyards?

I started writing it on a writing course in 2016, where we spent a lot of time on the opening page and paragraph one. Lots of rewrites!

REVIEWS


By Keithtj on April 26, 2023


"Ms Johnson has a wonderful way of describing situations and times, indeed she paints with words. Managing to evoke images and the atmosphere of the time. The characters are believable to the point you care what happens to them, and the story line is suitably gripping and nicely twisted, catching you out, just when you think you have worked it who the baddie is. A thoroughly wonderful and entertaining read more of Tirips and his world please!"


By Ed Drury on April 8, 2023 

"I've followed Vickie Johnson's books since I stumbled on the Kiwi books. I've watched her effortlessly shift between genres and styles, but she's kept me a loyal reader the entire time, primarily because of her excellent storytelling and fascinating characters. This book reaffirmed my confidence in her to deliver a compelling story with beautiful characters. With this one, I think she has all the ingredients for another successful series of books, and I will undoubtedly read them all. I would recommend it to readers of young adults, paranormal, and cozy mysteries without reservation. It does have some edgy scenes, but it is, in my opinion, done within the context of the story and not the least bit gratuitous."


My poetry book, Ink, is free to read here

Ink is free to read here: 

https://drive.google.com/file/d/1wXPU0XSt50DB8K1R4q_GOlEYc25-mWvU/view?usp=drive_link


A collection of 74 poems. All of these poems, except for Judder, were written between April 2, 2022 and May 14, 2023.


WILD HORSES


She sees horses in the streets,
tearing down the tarmac,
silvery manes of flowing water
twisting in the wind’s hands.

Pale white streaks of ghosts
leaving translucent trails of light,
black eyes glistening, nostrils flared,
silent in their insistency...


Tuesday, 7 July 2026

My middle-grade book, Kiwi in Cat City, is free to read here

Hi, you can read Kiwi in Cat City, the first of 6 books for kids aged 7-100, for free here. The series was selling well until 2015, so I thought why not make it free, because the whole idea was to be read.

https://drive.google.com/file/d/1ihUVY_CmQpq-n9w5Y5NcfesjSv8zpE8L/view?usp=drive_link




Book 1 in the Kiwi Series about a magical cat

Have you ever wished your cat could talk or wondered where he/she goes when you are not around? 
Kiwi is a black cat with a big secret – she is magical and comes from a city of catizens. One night when the moon is shaped like a cat’s claw, Amy and James follow their pet cat to see where she goes. With a flick of her tail, Kiwi turns the kids into kittens and leads them to the blue-lit Cat City, where the budding detectives help Inspector Furrball to investigate a catnapping and Kiwi meets her nemesis.



KIRKUS REVIEW – “Though the book is a mystery, the bloodshed-free crime means that the book is safe enough for younger readers to enjoy, and funny moments – provided by the bumbling Paws and lots of “cat” wordplay – keep the story light. The sleuthing will captivate young readers... Cats, a dash of fantasy, and a puzzling mystery are a recipe for a fun read...”





In the Kiwi Series, Amy, James and Kiwi go on different adventures, dealing with catnappings, jewel thieves, giant mice, time travel, haunted houses, Father Christmas, pyramids and more. The fun stories contain positive messages about loyalty, friendship, honesty, bullying and the power of friendship.

With illustrations by Nikki McBroom.

Book 4 in the series was a finalist in the Children's Books category of the National Indie Excellence Book Awards 2013.


Monday, 6 July 2026

New poetry book, Alice Walks the Night, is free to read here

My new poetry book, Alice Walks the Night, is available for free here -

https://drive.google.com/file/d/1V28Ot7fb25-ttcpgMZDOzjMt9W00oE7H/view?usp=drive_link

It's a collection of 119 poems. 

I own all the rights to my books, but they stopped selling in 2015, so I thought why not make it free.

I started planning it last year and put it on the backburner while being homeless, but I was sitting in a pub yesterday afternoon with my usual cup of coffee and decided to finish it off.

So here it is. Enjoy. 





Wednesday, 1 July 2026

A Poem a Day (747): Freedom

 
Freedom
 
Black cats creep on neon signs,
walk sublime, echo you in mime,
come to find you lurking, somewhat stilted.
Tap the shine. You devour wine, red,
converse a while, dance on cirrus clouds
a dream of being something other
than who you are – what you could’ve been.
 
It takes a while to remember you
sometimes. When the sun slides, sparks,
as the full moon rolls in on breaking waves,
and rain flees order in its tin timult,
you might find your own centre, still,
rediscover how night falls,
eclipsing iron structures, gilded cages,
long bent out of fashion, eaten by rust,
find who you always wished to be.
 
Copyright Vickie Johnstone, June 27, 2026


A Poem a Day (746): Waterloo guitar man

 
Two little pieces I wrote. The first one I wrote in Waterloo around 11pm. Was crossing the road towards the station and a guy was playing amazing guitar, watched by a blonde woman kneeling down. You could feel the connection between them. A bus light blared in the dark as it stopped for me on the crossing. He stopped playing, so I walked a little bit and stopped, waiting for him to start again. A train trundled over. He didn’t play again, so I stood there and wrote this poem, and then got my bus. Then I had a cheap cup of tea in a pub and wrote the second poem, Freedom, and later I listened to a guy play the theme tune to Merry Christmas Mr Lawrence by Ryuichi Sakamoto.  


 
Waterloo guitar man
 
You take in the echoes of nocturne,
all the missing pieces, the zeroes,
half-lives strewn, never fully realised,
trains munching metal girders, rumbling
carcasses, levelled wings of steel.
 
We live in seconds, places taken,
spaces reinvented so we can fit in them.
 
Music pursues as a waterfall,
ushering me across a stained-out road,
bus lights picking shadow from loin;
neon cut-glass glows, shrapnel howls –
we seek escape from the beaten scrawl
while part-notes mimic it all.
 
We count in time,
play with rhythms half-recalled. Stalled moments.
 
A musician sends a postcard to the moon,
rays caught on a double clef, romanticised,
this train the accompanying drumbeat
transporting sound into another yard.
 
Copyright Vickie Johnstone, June 27, 2026
 


A Poem a Day (745): Sliding doors

 
 
Sliding doors
 
You find vision switch in echo,
flick red betwixt the sure and the maybe.
 
If someone says you can come inside
you wonder if they really want you to step
into the void between you and them,
feel the gap close, the subtle burn
filling a space once empty.
 
He welcomes you in, to choose,
and you pick without thinking,
but shyness locks you in yourself.
 
Mirrors reflect or blend truth,
so you may see through a glass darkly,
but walk away too shy to look back.
Yet you feel it, this shift, a new skin.
 
It’s not the great glass elevator spiralling
into an open sky of happy endings,
feeling like an opportunity missed.
 
A box of moving endless curves,
it reflects a guise of a chance,
becoming a runaway thing you wanted,
this man you never got to know.
 
It’s a memory a-linger, drifting, smoke.
Pictures unseen slip, live a secret life unnoticed.
A child laughs, snug in their pushchair,
too innocent to recognise ghosts in the dark.
 
Copyright Vickie Johnstone, June 24, 2026


A Poem a Day (744): Sunborn

 
Sunborn
 
We are morning as it is, a peace offering,
how it wakes, breathes, uneasy storm,
the sunborn scent of the ever ocean shifting,
scoping air and wing and self.
 
Murmurs are the scribes of life,
raindrops twisted from the eyes of clouds
screaming truth into a wild scribbled sea,
sun-speckled woven quilts of salted lace.
 
A hand rocks the whole world true
in an escape of shot-out landed blue,
and we are aghast at the dice full-thrown,
their echo, their shape, their secret truth.
 
Set sail under a sheer-white blown flag
waving surrender before you could fail,
your number waiting in the wings,
this dripping real the only salve you need.


Copyright Vickie Johnstone, June 24, 2026
 
 


Tuesday, 9 June 2026

Hey!

 Hi, I've taken a break from writing this year.

I'm currently jobless, since March 2025, and homeless since 1 July 2025. I was made redundant after passing my probation in a new role at the end of 2023. I went to live with my dad as I was made homeless by this and I ran out of money by Christmas. I looked after my dad and he died after a month of end-of-life care at home in June 2024. It was difficult, but I am grateful I got to spend that time with him as he never said he was feeling ill. Whenever I spoke to him on the phone he always said he was okay. My mum died in August 2020 suddenly. I was with both of them alone when they died. I came back to London in March 2025, but found friends had gone distant and my manager ended my job. So it's been a strange time. People went distant, so I went distant back. I've been unable to find a job and I've had blocks on my phone. I've also had a stalking and harassment group disrupting my life since June 2022. It got worse in April/May 2025 and included theft and people getting into my hotel rooms. So it's been a weird time. I keep reporting it to the police. But I get stalked daily. They've ruined my life. I was living off my inheritance from my dad, but the harassment and stalking (by a half-white, half-Indian team) was so bad that I escaped abroad. And I went through my savings last month. I've spent 13 days sleeping outside and I'm going to be doing the same thing tonight. I have found somewhere for showers and food. I am probably going to lose all of my possessions this week because I can't make the payments on my storage and the company has refused to give me "special treatment" as she called it. I have no income. I've never made much money from my books, poetry and records. I didn't fulfill all of my dreams, but I tried. I got defeated by a harassment and stalking team who haven't stopped since June 2022. They even stalked and harassed me abroad on my birthday week in March. I'm single with no fall-back. It's just me.

So, for these reasons I've stopped writing. 

I thank everyone for their support and the people who believed my story. I can't be the only one.

Monday, 9 February 2026

A Poem a Day (743): Poems from a London bar

 
Wisps
 
High on the level, fire on the pedal,
metal cleaves in ever-descending miles.

Set a record in the waking night
to an audience of blighted stars,

where trees seek to leap chasms
of fire played, indifference plagued.

Insomnia streaks the skies in wisps,
grips the moon in a silver boa,

dances the pitch into pink dawn,
a lonesome kiss melting upon the lips.
 
 

Seek something to devour
 
Let’s dance where the earth roars to its outer limits,
echoing all our yesterdays in one voice,
one phrase the whole world can recognise,
a full tilt of every dream we ever had,
walking different paths, telling the same story,
rattling each phrase in its empty cage
until every emotion leaks out as water.

A spiral of words, glittered and true,
spent, unspent, wrapped, unwrapped,
this parched bark etched, leaking dew,
its lifeblood resurrecting the earth.


 
Tarmac

Criss-crosses of tarmac sear the earth inside out,
scour lines so deep we forget how to breathe,
dirt so red it seeks to bleed
an ocean to eclipse the sorrow you feel inside.

A restless spirit haunts every refraction,
every shattered shard stripped of hue,
leaving a kaleidoscope of black and white,
missing every rainbow chained to dark.


 
Paint

Paint leaks off the page,
faces reflect in window flecks,
light shadows walking
steal a slip of sunlight.

Time strides back sometimes,
freezes in order to release,
leaves imprints in sunken sand,
shies backwards into the waiting sea.


 
Surrender

Give up everything to be free,
to search for yourself in blue sky,
the magic of the dreaming,
where east devours west,
colours you gold in retrospect,
reminds who you never were
in this fight to stay you.
 
 

Slight

Light strips, detects,
resurrects forgotten details,
faces painted with a white brush.

We rename ourselves without thought,
risk abandoning our disguise
to walk an invisible tightrope,
deconstruct ourselves to fit a box
only to smash it with both fists.

I sit waiting for the stars to lift,
for the earth to be rewatered,
for ruin to bury itself again
between all these moon rises.
 
Copyright Vickie Johnstone, 8 February 2026
 


Monday, 1 December 2025

A Poem a Day (742): New York walks

 
Camouflage
 
He slides into the cracks in walls,
seeps into spaces etched in concrete,
the places between oceans swept,
air blown outside wild shadows.
This skin resists insistent erosion,
mixes faces beyond every false start.
Reflections dance, drip checkered lights,
wipers sweeping midnight’s rush.

We are slow to weave our stories.
Moonlight combs dry leaves to memory,
no imprinted names on ghosted windows.
He echoes this night of slipped shadows,
speaks words ripped from his own pages,
phrases you wish to recall in morning’s dew.
Eyes haunt, caught in moments only his.

He sees you, through you, and you repeat,
voices his regrets, his sorrows, his burnt wishes,
but they’re the same as everyone else’s.
Nothing vanishes. You could step outside yourself
and catch his glance in mirrored time,
try to walk the imprint he leaves,
knowing you could never live who he truly is.
 
 
Stickman
 
Stickman with an uneven smile,
clothes drip like laundry
on disjointed limbs etched out.
He sticks out like fresh cream,
armour rusted in salt dust,
plasters a smile on the iced street.

Night's glimmer creeps into his eyes,
tells you things he wants to forget,
dreams of lucid summer, what he can’t resist,
when clouds forgot to sweep his sight.

He walks tall beneath moon shimmer,
winter aching his bones,
seeps wisdom like milk,
this sustenance that should sustain him,
but he is moulded from water.

It flickers sometimes on the surface
of ideas stretched too thinly,
memories he can’t block,
old phrases that used to work,
the silences he’d rather forget.

Yet we can walk and talk and be ourselves
on these silent streets keeping their truth.
We can be bonded through small things,
be a safe harbour in this weathered storm.
 
Copyright Vickie Johnstone, November’s end in New York, 2025


Wednesday, 29 October 2025

A Poem a Day (741): 22 Poems from Brighton

 
Some poems I wrote in pubs from Monday to Wednesday. It rained quite a bit! They are all first drafts.
 
 
Wet T-shirts
 
Swap T-shirts in the rain
while the world is scowling.
Shine your peppermint smile
when you’re numb from your own pain.
Walk a mile backwards
so you don’t have to go anywhere else.
You can fool the world sometimes,
but you will always fail to fool yourself.
 
 
Letters
 
He passes boards of letters re-lettering,
phrases reborn of a forgotten phrasing.
Broken leashes spell a wealth of no contact.
We sack the morning because it waved.
 
In a cocoon we count the clouds,
dance inside a mirror ball of filters.
The world flickers in silver lights.
Shadows kiss faces recalled from lost dreams.
 
 
Bird food
 
A meal deal for sparrows:
three dead worms, a chunk of crusty bread,
a handful of speckled monkey nuts
deshelled, a slice of fruity bread,
crumbs scattered to find their way home,
a spiky nest built too high,
water trickling from a sodden leaf.
 
A disco ball for blackbirds:
chipped walls of flaking mortar,
stars dazzling the night,
streetlights blinking out of sight,
footsteps in time with the hum
of the world tuned to zero,
a reflection of time echoed in the street.
 
Someone turns out the lights
and we dance inside twilight.
 
 
The churn
 
In a hologram water churns outside of time,
drips water as inspiration coming home,
rewrites lines in dance, injection, fluid chance,
memories reshaping lives redrawn in reliving them.
 
Why wait in line before a shapeless machine,
racing on oil before lights shift in degrees?
Faces linger sometimes when you close your eyes.
The simplest number cannot be stowed away.
 
 
A butterfly’s tears
 
A butterfly’s tears circle the world –
orange wings sliced with black.
Imagination will fail to conjure it.
 
Dust travels, takes you everywhere.
We breathe, discover the furthest limits
of how we can travel more freely,
discover our own selves, walk with others,
push every boundary against the wall.
 
 
Out of time?
 
You’re only out of time
if you think you are.
 
Take a breath,
imagine an open footprint
in which you could insert your own
and feel the other shift beneath
as if you could share the same place,
the same belief in knowing the other.
It’s a feeling…
 
of being within the space of a space,
a trace of something superhuman,
of being other than who you are.
Without choice,
Without expression.
 
 
Mirrors
 
Superstition, a word you avoid,
slip by mirrors with no expression,
ladders misplaced in jagged time,
a black tail that crosses you always.
Step out of time to meet him, conscious
of the break, the shift, no real outcome
you can fathom, something you don’t understand.
 
When it’s over you’ll feel the quiet,
the softness, the break in the storm.
Feel it as a vacuity, an emptiness,
where everything spilt out on bare sand,
waiting for you to cup it in your hands,
hold it to your heart and disappear inside it.
 
 
Survivors
 
He finds himself typecast,
a survivor in an identity charade.
A phrase that failed to word itself,
didn’t chance itself in a dark corner.
It made promises even it couldn’t keep,
even to him. The trees grew outside,
formed roots, hardened themselves,
shielded him in a way he couldn’t see,
while kids initialed themselves in their bark.
They toughened as every decade passed,
watered themselves with karmic dew
until even the caretakers stood still.
 
 
Boxes
 
A dance, a groove, a fitting in,
finding your own space never designed,
your cardboard living, breathing box,
not a suit of armour you can’t bend,
a step outside so you can breathe,
a signature you will never break.
 
 
The lesson
 
It’s a lesson,
but you don’t need to learn it.
You already became it,
lived it, breathed it, wore it.
Yours is a bulletproof vest
that moulded to your soul,
spoke out, indivisible.
It breathed into you,
and you wore it as a sign
of who you really were,
who you are, who you might be.
 
 
Oceans
 
She was always in the wrong country.
He knew it. Waited. Felt the pulse,
examined pools of water after rain,
the softened steps that feet make in sand,
that sound the ocean makes on pause.
We live in the echoes we leave behind,
leaves cascading into dust.
 
 
Rainbows
 
He took it on trust,
looked to the rain to birth a rainbow,
imagined a time out of existence,
a space apart from the self,
seconds beyond the reimagined.
Time is just time. No emphasis.
We are as the seas roll,
as the Earth moves to disintegrate,
how we speak together, break our tune
when we actually think in rhythm.
 
 
Drawing lines
 
To stand without ceremony
and draw lines inside the sand
just to see if they seldom fit.
 
We sweat, stand up, stand down,
imagine time as a waking hand
beating a clock that long stood down.
 
An electric thread on a hidden break.
Imagine the sea rocking inside,
a touch you might never forget.
 
This wondering eye won’t ever sit still.
Take a walk down a metaphorical lane,
where time will finally sink and stall.
 
See you linger now against the wall,
heart beating still, memories drift,
your skill hidden in the drive,
where no one wants to view it
because they suspect it’s too dangerous.
 
 
Clocks
 
Time beats, a subtle clock,
sucks up time, no microphone.
Try to tell it as it is, alphabeticise,
know you’re losing as you pontificate.
There are no substitutes for loss.
 
Speak what you want, what you need,
what you forgot when the desert wind blew
your tears adrift without waiting to hear
what you wanted to say, how you felt,
discriminating as you waited in the sun
for your payday, too tired to run.
 
We are as the world turns, immune to bullshit,
waiting for our time to flag us down.
It takes us months or even years to realise
who we are, who we were, who we might become.
 
We are as the sea turns, churns and swells.
No idiocy. No theatrics. Just human.
There’s nothing to gain from being someone new.
 
 
Not wasting
 
Not wasting time,
just happening,
playing a flute out of tune,
being outside knowing,
imagining something other,
at a loss to fathom substance,
never broken, just this.
 
It is only this,
misted breath on a windowpane.
Leaves blow, fathom colour,
echo the sky in pieces.
 
Colour the lines on the outside,
the edges seldom seen,
make castles out of air,
pretend we can live outside time.
 
 
All of it
 
All the things you do,
I reasoned I would pretend,
but I would not forget,
and I didn’t,
no matter how my head turned,
or I saw the distractions.
I reasoned I would always be,
because I breathed the same air as you.
 
 
Tides
 
The Atlantic Ocean sold me,
told me I would never swim
against these tumultuous tides,
these echoes of a forgotten time,
an emblem of never be –
a season I have never mistaken.
 
 
Green gauge
 
Green becomes her,
this shade so seldom seen,
an in-between of eternal something,
little known, an always maybe.
 
We stretch for the stars sometime,
never knowing how high we can go,
always slightly out of reach.
 
We are as the seasons take us,
bathe quietly in our own shine,
myriad memories simply our own,
knowing we can’t know everything
as the world turns and time plays.
 
 
Embroider
 
It comes woven, this world.
It goes round, and round,
forgetting what was never.
 
I catch stars in the falling rain.
They glow, but you whip the has been.
 
I age. I grow. I wither like a tree,
and you wonder why I don’t stand still,
but it is the way of the world you feel.
I can’t be your standby.
 
And there lies your problem,
so you walk away
while I find a new card to play,
a scenario I have redrawn
without you in it.
 
You might return years later,
but we will have had our day,
and you let it go.
 
 
Wordplay
 
She’s the echo you forgot
when you speak,
when you try to rhyme,
something more than you are,
so out of time you don’t know
the other side, and the in-between,
the roar between continents.
I am as the oceans formed me,
this elusive figment of water.
Waves bury waves,
the light you can’t extinguish
when you seek me in the dark.
 
 
Cords
 
A rhythm made of light,
it sounds cordless,
builds a pattern
out of glass,
works itself out in moments
broken in time with waves
beaten into submission.
 
An emotionless moon draws you in,
mimics night’s drunken hour.
Only a gull will steal,
only a crow can use a tool,
yet you see them indivisible.
 
I cross lines, mimic propositions
only you can draw.
I don’t look back
cos I showed you the door.
 
 
Snippet
 
Walking in walking in turning,
in beginning in returning
to wake without waking,
a balance out of balance.
 
Now that’s old outside of old.
Bereft of pleasure we unwind
to rewind without end,
this dependence on independence,
 
being fragile without ever feeling fragile,
being outside of being without really being.
You can smile without even smiling,
feel lost when you were never lost at all.  
 
 
Copyright Vickie Johnstone, October 27-29, 2025